Best anime of 2022: Top new anime series of the year so far

‘Demon Slayer: Kimetsu no Yaiba Entertainment District Arc’ | ufotable

‘Demon Slayer: Kimetsu no Yaiba Entertainment District Arc’ | ufotable

As for the year ahead in anime, 2022 is going to be a big year, full of highly anticipated new projects, the long-awaited return of dormant series, and of course, all the fun surprises that will pop up in between. Luckily, watching these titles has never been more accessible, with free tiers on Crunchyroll and Funimation, with Hulu and Netflix’s simulcast deal producing its own originals. We’ll be keeping track of the best anime of the year here – stay tuned as we update it throughout 2022.

READ ALSO : The 20 best anime of 2021

demon slayer entertainment district

4. Demon Slayer: Kimetsu No Yaiba: Entertainment District Arc

Release date: December 5, 2021
Director: Haruo Sotozaki
Creation of animations: ufotable

Although it seems redundant and obvious to say this about an anime adaptation, the main attraction of Demon Slayer: Kimetsu no Yaiba is undoubtedly its animation, full of dynamism and heart-pounding emotion as its combat sequences unfold. The written narrative is, for all intents and purposes, perfectly usable, straightforward, and perhaps overly leaning on goofy comedy at inopportune times. The characters always boil down to the loud (boar-headed Inosuke), the cowardly (Zenitsu), and the unfailingly nice (our nice boy Tanjiro). With this second half of the second season – the first being essentially a retread of the Train Mugen theatrical film – the three are drawn into a mission in Yoshiwara, the historic red light district at the time, in search of a demon disguised as an oiran. Most of this season is a single fight, but the animators put their backs to it with dazzling kinetics that perfectly manage the rhythm of every turn of its royal rumble. As with the 19th episode of its first season, these brawls culminate in a truly stunning and propulsive 20 minutes where demon slayer really makes a case for itself.
Where to watch: Crunchyroll, Funimation

my darling dressing

3. My Darling Who Dress Up

Release date: January 6
Director: Keisuke Shinohara
Creation of animations: cloverworks

There is a specific and unmatched joy in sharing the hobbies you love with someone. slice of life anime My darling dressing is built around discovering that feeling, like reclusive high school freshman Wakana Gojo meets the popular and outgoing girl Marin. After Marin sees Wakana making doll costumes, she asks him to create a costume for a character from a video game she likes, with the two forging a company over Wakana’s love of making Hina dolls. and Marin’s love of cosplay.

There’s another twist to their relationship: This particular cosplay is based on a character from an ecchi (erotic game), leading to hilarious misunderstandings from anyone within earshot of the protagonists’ conversations. This only adds to its charm, as the show and its performers pull all the pathos possible out of its bizarre opposites-attract premise. This is done in part thanks to its detail-oriented character animation, which is richly drawn and very careful about how it adds personality through even the smallest flourishes of movement. Hopefully the team can carry on as it is one of the first winners of what has been a fairly quiet winter season so far.
Where to watch: Crunchyroll, Funimation

the orbital children

2. The Orbital Children

Release date: January 28
Director: Matsuo Iso
Creation of animations: Manufacturing +h

Marking the end of a 15-year absence from anime for beloved director Matsuo Iso, his new work Orbital children (released as a film series in Japan, but as episodes internationally) reunites him with animation superstar Toshiyuki Inoue, who is perhaps best known for his work on the big fight of Asuka since The End of Evangelion. As such, it looks beautiful, pleasant, and full of life in its portrayal of alien children. The story is set in the year 2045 in a future that doesn’t seem so far from our own in the increased prevalence of social media, though sophisticated AIs and common spaceflight are still quite fanciful. It follows Touya and Konoha – the titular orbital children – born on the moon and migrating to Earth. Disaster quickly strikes the space station where they are based, and along with another group of children from Earth, they find themselves stranded with no hope of rescue. Using the few digital tools they have with the help of an AI, they come to make a startling discovery, a prophecy announced by a hyper-intelligent machine known as Seven.

Like Dennoh coil before that Orbital children is particularly insightful about the effects of digital technology on a personal level as well as on a larger scale. Despite its space-age setting, familiar features of Our World remain, such as its Apple Store living spaces and the trademark spacesuits the main characters wear on their journey, modeled after Google and Uniqlo. He’s equally thoughtful and playful about his imaginings of what this relationship could become.
Where to watch:netflix

ranking of kings
With studio

1. Ranking of kings

Release date: January 6
Director: Yosuke Hatta, Makoto Fuchigami
Creation of animations: With studio

Like some of the most enduring fairy tales, her storybook guise hides a hidden darkness, and once Ranking of kings peel off that first layer, it just keeps revealing more and more. Like the young protagonist Bojji, each character is much more than meets the eye, all treated with a fascinating multidimensionality that each new episode sees from a new angle. The stern appearances of Daida, Queen Hiling and Bojji’s antagonistic brother, hide a much more sensitive soul, the seemingly sleazy “master of snakes” Bebin proves to be unwavering in his loyalty. As Bojji continues to discover his unique strengths, the story has begun to focus on various mysteries surrounding the “return” of Bojji’s deceased father, Bosse, and the magic mirror that manipulates proceedings in the kingdom from the shadows.

Not only is King’s RankingThe characterization of so delightfully complex, yet its animation is uniformly remarkable. The aforementioned storybook art style immediately sets it apart from its peers, though it does have a bit of Akira Toriyama in its DNA in its standout and cartoonish fight scenes, perhaps. dragon quest-ish art direction. Continuing the series’ story full of surprises, the animation even veers into psychedelia as one of its characters essentially enters the equivalent of Sunken Place from get out. I particularly like the attention to detail in the visual communication within the story world itself, especially in the character conversations with Bojji through sign language. With part 2, Ranking of kings continues its hot streak until 2022.
Where to watch: Crunchyroll, Funimation

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Kambole Campbell is a contributor to Thrillist, on Twitter @kambolecampbell.